In La Caresse du Coma ft. Yolo, artists Anne Lise Le Gac together with musician and performer Loto Retina create a quasi-shamanic experience through fictional and theatrical means.
Elisa Frasson is an Italian dance researcher with extensive experience in the curatorship of screendance events and dance in urban spaces. Recently she has been writing for Tanzschreiber, a platform for critiques on Berlin dance events and working as field researcher for Cantieri Culturali Firenze (IT). In 2022, she was awarded a Dis-Tanz-Solo stipend (Dachverband Tanz Deutschland) for a project on dance and criticism. She is currently working with laborgras dance company (Berlin, DE) for the documentation research of their new dance creation. Elisa holds a PhD in Dance Studies (University of Roehampton, London).
In La Caresse du Coma ft. Yolo, artists Anne Lise Le Gac together with musician and performer Loto Retina create a quasi-shamanic experience through fictional and theatrical means.
Created for the Norwegian National Company for Contemporary Dance Carte Blanche by choreographer and costume designer Eszter Salamon, Monument 0.10: The Living Monument opened the 14th edition of Oktoberdans International Dance Festival Bergen (Norway).
Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species